Keefe, Simon , Professor

Professor Simon Keefe

BA, MA, MusM, PGCE, MPhil, PhD

Department of Music

Professor of Musicology

(he/him)

James Rossiter Hoyle

s.keefe@sheffield.ac.uk

1.13, Jessop Building

Full contact details

Professor Simon Keefe
Department of Music
1.13
Jessop Building
Leavygreave Road
91ֱ��
S3 7RD

Profile

I took up the James Rossiter Hoyle Chair of Music in April 2008 and served as Head of Department until July 2015, having previously been Professor and Head of Music at City University London. Born in Leicester, I am a graduate of Cambridge, Boston and Columbia Universities (PhD 1997) and have held lectureships at Christ Church Oxford (1997-99) and at Queen's University, Belfast (1999-2003). In autumn 2016, I was a Visiting Fellow at All Souls College Oxford, and in September 2022 I was elected the next President of the Royal Musical Association. I will serve a three-year term as RMA President from 1 January 2024.

My primary research and teaching area is late 18th-century music, especially Mozart, but I also have research and teaching interests in music reception and biography, 20th-century French popular song, Wagner, and the concerto genre. I have published five books as author and eight as editor since 2001, including a 700-page musical biography, Mozart in Vienna: the Final Decade (Cambridge University Press, 2017), and most recently Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception (Cambridge University Press, 2023).

My monograph Mozart’s Requiem: Reception, Work, Completion (Cambridge University Press, 2012) won the 2013 Marjorie Weston Emerson award from the Mozart Society of America for the best book or edition published in 2011 or 2012; my edited volume Mozart in Context (Cambridge University Press, 2019) received an 'Outstanding Academic Title' award from the journal Choice (American Library Association) and was named one of the 'best classical music book releases of 2019' by the BBC Music Magazine.

My non-musical interests include football, golf, and tennis; I am a life-long (and long-suffering) fan of Aston Villa FC.

Research interests

Current projects

(General Editor) 'Music and Musicians, 1750-1850' ('Elements' series for Cambridge University Press);
(Book project, working title) Haydn and Mozart: Critical Paths through the Long Nineteenth Century, 1791-1914;
(Article) ‘“No kind of reading is so generally interesting as biography”: Establishing Narratives for Haydn and Mozart in the Second and Third Decades of the Nineteenth Century’.

Publications

Books

Keefe S (2023) Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception. Cambridge University Press.
Keefe S (2017) . Cambridge, New York, Melbourne, Delhi, Singapore: Cambridge University Press.
Keefe SP (2017) Series preface.
Keefe SP (2012) . Cambridge: Cambridge University Press.
Keefe S (2012) Mozart's Requiem: Reception, Work, Completion. Cambridge and New York: Cambridge University Press.
Keefe SP (2007) Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention. Boydell Press.
Keefe SP (2001) Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Boydell Press.

Edited books

Keefe S (Ed.) (2024) Mozart in Salzburg and Beyond: New Perspectives. Ann Arbor, Michigan: Steglein Publishing.
Keefe S (Ed.) (2018) . Cambridge: Cambridge University Press.
Keefe SP (Ed.) (2015) Mozart. Farnham, Surrey: Ashgate Publishing.
Keefe SP (Ed.) (2015) Mozart Studies 2. Cambridge: Cambridge University Press.
Keefe SP (Ed.) (2009) The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press.
(Ed.) (2006) Mozart Studies. Cambridge University Press.
(Ed.) (2006) The Cambridge Mozart Encyclopedia. Cambridge University Press.
(Ed.) (2005) The Cambridge Companion to the Concerto. Cambridge University Press.
(Ed.) (2003) The Cambridge Companion to Mozart. Cambridge University Press.

Journal articles

Keefe SP (2022) . Music and Letters, 102(3), 610-612.
Keefe SP (2020) . 19th-Century Music, 44(2), 67-79.
Keefe SP (2020) Keyboard Concertos from Manuscript Sources XI. NOTES, 77(1), 157-159.
Keefe SP (2020) Keyboard Concertos from Manuscript Sources VII. NOTES, 77(1), 157-159.
Keefe SP (2018) Series Preface. Mozart, ix.
Keefe SP (2009) . Journal of the Royal Musical Association, 134(2), 185-242.
Keefe S (2009) Beyond Fact and Fiction, Scholarly and Popular: Peter Shaffer and Milos Forman’s Amadeus at 25. The Musical Times, 150, 45-53.
Keefe S (2009) Review of "Herman Abert, W.A.Mozart, trans Stewart Spencer, ed. Cliff Eisen". Music & Letters, 1(90), 158-160.
Keefe S (2008) . Journal of the American Musicological Society, 61(1).
Keefe S (2008) The Aesthetics of Wind Writing in the "Paris" Symphony K.297. Mozart-Jahrbuch 2006, 329-344.
Keefe S (2008) Guest Column: Mozart Artefacts. Mozart Society of America Newsletter, 2(12), 1-2.
Levin RD, Maunder R, Druce D, Black D, Wolff C & Keefe SP (2008) . Journal of the American Musicological Society, 61(3), 602-608.
Keefe SP (2003) The 'Jupiter' Symphony in C, K. 551: New perspectives on the dramatic finale and its stylistic significance in Mozart's Orchestral Œuvre. Acta Musicologica, 75(1), 17-44.
Keefe S (2002) Sophisticated Simplicity: Text and Music in the Early Songs of Georges Brassens. Tijdschrift voor Muziektheorie, 7(1), 11-23.
Keefe SP (2000) . Tempo(212), 38-46.
Keefe SP (1999) . Journal of Musicological Research, 18(3), 225-261.
Keefe S & Keefe T (1996) Sartre's Wagner. The Musical Times, 137, 9-11.

Chapters

Keefe SP (2023) Scholarship and Fiction in the Late Nineteenth Century, 1861-1890, HAYDN AND MOZART IN THE LONG NINETEENTH CENTURY (pp. 131-175).
Keefe SP (2023) Papa and the Matador, Alive and Dead Haydn and Mozart, 1792-1810, HAYDN AND MOZART IN THE LONG NINETEENTH CENTURY (pp. 14-45).
Keefe SP (2023) Continuity and Change Epilogue, HAYDN AND MOZART IN THE LONG NINETEENTH CENTURY (pp. 225-228).
Keefe SP (2023) Biographical and Critical Narratives and Perspectives, 1811-1830, HAYDN AND MOZART IN THE LONG NINETEENTH CENTURY (pp. 46-85).
Keefe SP (2023) Anniversaries, Commemorations, Writings The Developing Reputations of Haydn and Mozart, 1831-1860, HAYDN AND MOZART IN THE LONG NINETEENTH CENTURY (pp. 86-130).
Keefe SP (2023) Anniversaries in Context, 1891-1914, HAYDN AND MOZART IN THE LONG NINETEENTH CENTURY (pp. 176-224).
Keefe SP (2023) The Magic Flute in Biography, Criticism, and Literature, CAMBRIDGE COMPANION TO THE MAGIC FLUTE (pp. 291-303).
Keefe S (2021) "Es ist der Mühe werth": the Performance and Reception of Pleyel's Op. 1 String Quartets In Klauk S (Ed.), Instrumentalmusik neben Haydn und Mozart (pp. 179-194). Würzburg: Könighausen & Neumann.
Keefe SP (2019) MOZART IN CONTEXT Preface, MOZART IN CONTEXT (pp. XIII-XIV).
Keefe SP (2018) , Mozart in Context (pp. 3-9). Cambridge University Press
Keefe SP (2018) , Mozart in Context (pp. 213-219). Cambridge University Press
Großpietsch C & Keefe SP (2018) , Mozart in Context (pp. 59-78). Cambridge University Press
Keefe SP (2018) , Mozart in Context (pp. 246-253). Cambridge University Press
Keefe SP (2018) , Mozart (pp. 413-470). Routledge
Keefe S (2016) Mozart the Child Performer-Composer: New Musical-Biographical Perspectives on the Early Years to 1766 In McPherson GE (Ed.), Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology (pp. 550-575). Oxford and New York: Oxford University Press.
Keefe S (2015) Mozart 'stuck in music' in Paris (1778): towards a new biographical paradigm In Keefe SP (Ed.), Mozart Studies 2 (pp. 23-54). Cambridge: Cambridge University Press.
Keefe S (2015) 'Composing, Performing and Publishing: Mozart's "Haydn" Quartets' In Keefe SP (Ed.), Mozart Studies 2 (pp. 140-167). Cambridge: Cambridge University Press.
Keefe SP (2015) CPE Bach Series Preface, C.P.E. BACH (pp. XI-XXXV).
Keefe SP (2015) Gluck Series Preface, GLUCK (pp. IX-IX).
Keefe S (2014) 'Mozart's Requiem' In Farnham H & Fairclough J (Ed.), Mozart (interactive iBook for iPad) (pp. 190-207). London: Pipedreams Media.
Keefe SP (2013) , The Cambridge Companion to the Symphony (pp. 155-173). Cambridge University Press
Keefe S (2012) 'On Instrumental Sounds, Roles, Genres and Performances: Mozart's Piano Quartets, K. 478 and K. 493' In Harlow M (Ed.), Mozart's Chamber Music with Keyboard (pp. 154-181). Cambridge University Press
Keefe S (2009) Across the divide: currents of musical thought in Europe, c. 1790–1810 In Keefe SP (Ed.), The Cambridge History of Eighteenth-Century Music (pp. 663-688). Cambridge University Press
Keefe SP (2006) 'Greatest effects with the least effort': strategies of wind writing in Mozart's Viennese piano concertos, MOZART STUDIES (pp. 25-46).
Keefe SP (2005) , The Cambridge Companion to the Concerto (pp. 1-4). Cambridge University Press
Keefe SP (2005) , The Cambridge Companion to the Concerto (pp. 70-92). Cambridge University Press
Keefe SP (2005) , The Cambridge Companion to the Concerto (pp. 5-18). Cambridge University Press

Book reviews

KEEFE SP (2016) . Eighteenth Century Music, 13(1), 134-136.
Keefe SP (2015) . Music and Letters, 96(4), 660-662.
Keefe SP (2014) . Music and Letters, 95(2), 285-287.
Keefe SP (2013) . Music and Letters, 94(1), 152-154.
Keefe SP (2010) . Music and Letters, 91(1), 105-107.
Keefe SP (2009) . Music and Letters, 90(1), 158-160.
Keefe SP (2008) Finishing Mozart's Requiem. On "'Die Ochsen am Berge': Franz Xaver Sussmayr and the Orchestration of Mozart's Requiem, K. 626" by Simon P. Keefe, Spring 2008 Reply. JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY, 61(3), 602-608.
Keefe S, Harrison B & Sutcliffe WD (1999) . Notes, 56(2), 403-403.
Keefe S (1999) . NOTES, 56(2), 403-405.

Conference proceedings papers

Keefe S (2016) ‘“Die trefflich gewählten Instrumente”: Orchestrating Don Giovanni’s Defeat’. Mozart in Prague: Essays on Performance, Patronage, Sources and Reception (pp 343-369). Prague, 9 June 2009 - 13 June 2009.

Research group

I am happy to supervise students in any of my areas of specialty.

My current and previous PhD students have worked on the following topics:

Beethoven's annotations of Cramer's piano studies
19th-century oboe studies
theories of editing Mozart's piano works
late 18th-century keyboard music in London
Prokofiev's piano music; Chopin reception in England
concepts of music analysis in the late 18th- and early-19th centuries
editing and performance practice in Mozart's keyboard music
Handel reception in the 18th century
Mozart's sacred music

Professional activities and memberships

Elected (2005) to life membership of the Salzburg-based Akademie für Mozart-Forschung of the Internationale Stiftung Mozarteum (as the only British member until 2019).
General Editor of the Royal Musical Association monographs series (published by Routledge) (2011- ).
Chair of the Royal Musical Association Publications Committee (2013-19), including organizing, planning and negotiating a change of publisher for the RMA journals from Routledge to Cambridge University Press.
Editor of a Late Eighteenth-Century Composers series (Ashgate, 2015)
Editorial/advisory boards: Journal of the Royal Musical Association (Routledge); Mozart-Jahrbuch (Bärenreiter); Humanities (Basel: MDPI Verein); RMA Research Chronicle (Routledge).
Founding editor (reviews) of Eighteenth-Century Music (2002-2008), and editorial board member to 2016.
Member of the AHRC Peer Review College (2009- )
President of the Royal Musical Association (2024-2027)

Public and media engagement

Programme notes for annual international Mozart festival, 'Mozart Woche', Salzburg (2008- )
Eight study days at King’s Place, London as part of a year-long ‘Mozart Unwrapped’ series of events (2011).
Public lectures: 91ֱ�� (University and 'Music in the Round': 2009, 2010, 2012, 2013, 2014, 2015); 91ֱ�� (Cathedral: 2017, 2011, 2009); Birmingham Conservatoire (2009); University of Buckingham (2019, 2008, 2002); Fairford, Gloucestershire (2006); Arnside, Cumbria (2006); Queen’s University Belfast (Queen’s Film Theatre) (2002).
Pre-concert lectures: Royal Northern College of Music (2019); Tideswell, Derbyshire (2015); St. Oswald’s Church, 91ֱ�� (2012); Barbican, London (2008); Wigmore Hall, London (x4, 2006); Queen Elizabeth Hall, London (London Philharmonic, 2006); St John’s Smith Square London & Cambridge Faculty of Music (Academy of Ancient Music, 2006); Royal Albert Hall (BBC Proms x2, 2006).
Cosmoetica: Dan Schenider (2017)
Principal musicological consultant for, and contributor to ‘Mozart in Prague: Rolando Villázon on Don Giovanni’: Renegade Film for BBC2 (2013-14) on the Prague premiere of Don Giovanni, featuring international opera star Rolando Villázon.
Panellist on BBC Radio 3 debates (2011, x2); contributor to BBC2 Newsnight films (2008, 2007)
Contributions to UK Radio 2’s ‘What Mozart Did for Us’, first broadcast 24 January 2006.
Principal contributor to ‘In Mozart’s Footsteps: London’ on Deutsche Welle TV (‘Euromaxx’), first broadcast 6 September 2006.
‘Mozart in England’ (German Public Radio; interviewed by Walter Bohnacker), first broadcast January 2006.